MAT200a





Media Arts & Technology, UC Santa Barbara


A Report on the Art and Technology Program
of the Los Angeles County Museum of Art

1967-1971






One of the most fascinating and overlooked contributions to art in Los Angeles is the effect that the enormous California technology industry has had on it since the 1950s.

LACMA's visionary head curator, Maurice Tuchman, sought to make this influence more explicitly collaborative by instituting a program in 1967 that would pair prominent artists with major industries.

Almost more interesting than the art itself is the catalogue documenting the effort, A Report on the Art and Technology Program of the Los Angeles County Museum of Art 1967-1971.

The book provided descriptions of the concept and execution of the program, along with extensive documentation relating to its growth. The following are some examples of artists, the corporations they interacted with and projects they proposed.


Introduction
  Maurice Tuchman, Senior project curator. Description of the project, artists working in corporate settings, contractual relationship between sponsor, artists, the museum as go-between, result in Osaka 1970 world fair p9-29

  Jane Livingston, Curator's thoughts on the Art & Technology project, p43-47

Commentaries
  Time (6.28.1971) | Langlois Foundation [1] |


Michael Asher 3x40’ holograph light, p52 | Hughes

John Baldessari Color plants, changing growth patterns, art by radiowaves, p53 | Heath Co.

Iain Baxter Remote control inflatable sculptures, p53 | Garrett Corp

Larry Bell Psychophysical experiments, P54 | Rand

James Lee Byars Process of collaboration, p58,60 | Hudson

Ron Cooper Projecting light to define space, p78-79 | General Electric

Ron Davis Computers to plot geometric figures, p82 | Cal Comp

Jean Dupuy Words thru microphone to high voltage impulses, etc. p95-100 | Ampex

Frederick Eversley Liquid crystals, p101 | Ampex

Oyvind Fahlstrom Ultralight structures, p102

Hans Haacke Aerodynamics, condensation cycles, transdyction, info retrieval, p116,117 | Ampex

Newton Harrison Ionization discharge, p118-125 | JPL

Robert Irwin, James Turrell Alpha, psychophysical p127-129 p158 | Garrett

R.B. Kitaj Artist-fabrication process, p160 | Lockheed

Rockne Krebs Laser projection, p165-175 | HP

Les Levine Produced disposable art p193 | CCA

Robert Lichtenstein Film in non-film way, p194-199 | Universal

Len Lye Metal sculpture, p200 | KAiser

Jackson Maclow Random computer poem/texts p201-206 | InfoInternational

John McCracken p223 | LItton

Glenn Mackay Head Lights (Light show) p223 | RCA

Robert Morris Control systems, p238-240 | LSI

Bruce Nauman Holograms, p240

Claes Oldenburg Moving Icebag, p241,244,252,265,269 | Disney

Eduardo Paolozzi Computer Imagery, p272,273 | Wyle

Pulsa Input/Output System, p275

Jeff Raskin Module sculpture, Artist/HCI, p276-278 | Mattel

Robert Rauschenberg Muse, p279-280,282-285 | Teledyne

James Reischek Computer design, p289-295 | IBM

Richard Serra Steel structure, p298 | Kaiser Steel

Robert Smithson Raw material dispersal, p320 | American Cement

K. Stockhausen/Otto Piene 8 speaker ambient noise, p322-323 | Ampex/JBLansing

Takis Perpetual Sea movement, p324 | Treadwell

Victor Vasarely $2m large cybernetic screen, p327-328 | IBM

Andy Warhol Communication, 3D flower, p330-336 | Cowles Communication