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2.20.2007 |
Visual Communication Design Basics | |
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Historical Background |
Visual Communication origins: Constructivism
(Soviet Radical Aesthetics) | Bauhaus
Form/Architecture: Hebert/Max Bill | Weissenhoff | Concrete Art Tate Resource |
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Swiss Design | 1) 1920's to 1970 all of Zurich graphic
exhibition 2) Cultural factors: Country’s neutrality, precision, craft skills, technical training 4) Enlightened attitudes, and swiss enjoyment of graphic culture 5) Clean, formal, clear typography: posters | info | |
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Elements of Visual Communication |
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Typographie | 1920's Conceptual approach and visionary synthesis of text, form, space,
color to convey meaning | Moholy-Nagy
| El Lissitzky: Typography
is a visual medium | Tschichold
| Lay-outs |
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Typeface, fonts | Typography
Today | Frutiger
| Univers [ft]
[55][57]|
Helvetica | Futura
| Grotesk Akzidenz [ft]
(standard) | Serif (Boissier) | Metadesign |
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Visual Identity | Corporate Identity
| Cornell U | Vignelli
| Conceptual Identity: Bruce Mau
| Projekttriangle
| Japanese Historical
Maps (Berkeley) | Langlois
Foundation |
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Shape, Space and Form | Newsmap
| DeCOI
| Asymptote | Catalogtree:
[mapping][infographic][graph]
| no-org.net
| Mollerup | Feltron
| Sojamo |
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Color | Color Theory
| Kandinsky
| COLOURlovers
| Adobe Color Wheel |
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Grid Structure | Muller-Brockmann
[2]
| Columbia
arch | Lewis.Tsurumaki.Lewis
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Movement | Designer's Republic
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Data Visualization |
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Fry Thesis References | Film
Finder | Table
Lens | Hyperbolic
Geometry (They Rule)
| Munzner
thesis [2]
| Valence | Anemone
| SmartMoney
| Baby Name Voyager
| Wattenberg |
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IBM Resources | Many Eyes
Data Visualizations | IBM Visual
Identity |
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Information
Visualization Tamara Munzner Google Lecture Video |
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Visual Complexity | Sunsets
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