Apply Now
Now accepting applications for the 2026-27 MAT Master's & PhD programs.
Visit the UCSB Admissions Portal and the MAT Admissions page for more information.
Intertwined Practices: Computational Approaches for Handmade Textile Crafts
Abstract
Textile craftsmanship is a complex and powerful form of making that, for centuries, has developed and refined methods for manipulating fibers, producing textiles with distinct structures, functions, and cultural significance. Digital fabrication tools have long been intertwined with textile production, particularly in crafts well-suited for automation. In this dissertation, I adopt a craft-centered perspective to explore how digital fabrication can expand the expressive potential of handmade textile practices that remain too complex for machines to mimic. I present a series of works that investigate the integration of computational tools and manual methods that operate together (1) to produce new forms of handmade textile crafts, (2) inform new computational design tools for textile crafts, and (3) create more accessible and personally meaningful entry points into computational making for crafters, youth, and creative learners. My work is evaluated with craft enthusiasts, crochet practitioners, and high school students through a series of workshops and the design and production of physical textile artifacts. The findings suggest that it is possible to integrate computational tools in a way that respects, follows, and extends traditional techniques while enabling innovative artifacts, characteristics, and functionality.
Abstract
Digital audio programming is both niche and ubiquitous. It spans technology that brings the entire history of recorded music to your fingertips (Spotify), enables personal wireless transmission with sleek hardware (Apple AirPods), and even enshrines the sounds of analog (Neural Amp Modeler). It is an art and science practiced by relatively few, yet touches the daily lives of us all. Mirroring the nature of analog audio processors, modularity and composability are hallmarks of the field. Usage of popular Digital Audio Workstations (DAWs) is synonymous with the use of plugin software extending their capabilities, and options for these “processors” are as numerous as mobile apps, powered by the accessibility of their development. In contrast, development of audio software for embedded systems retains a much higher barrier to entry, despite the recent convergence of desktop and embedded architectures and major overlap of design principles for audio software in both platforms. Additionally, audio programming for the web remains a frontier as the Web Audio API has only recently solidified. By identifying the common subset of functionality and rules required for an encapsulated audio processor to run in desktop, embedded, and web environments, a plugin standard can be created that enables accessible development and deployment to all of these targets from a unified interface- enabling an ocean of developer creativity to be unleashed for all to hear.
Bio
Joel A. Jaffe is an MSc student with emphases in digital audio, electric instruments, and embedded systems. His off-campus pursuits revolve around rock music performance and production, as well as the maintenance, repair, and modification of instruments. His research investigates practical digital tools for electric instrumentalists and their development as meaningful interaction between music academia and practicing musicians.
For more information about the MAT Seminar Series, go to:
seminar.mat.ucsb.edu.
The project, Embodied Ink, was showcased at MAT's End of Year Show this past Spring.
Read the full paper here:
dl.acm.org/doi/10.1145/3746027.3756139
Video Presentation:
www.youtube.com/watch?v=08egiTo7yto
The fellowship allows Croskey to pursue a project that she is passionate about - enabling marginalized communities to secure their place in the future historical record, ensuring that emergent technologies, such as AI, elevate and empower these groups by reflecting their histories.
"Receiving the NSF GRFP amid our current political climate has given me an even greater sense of responsibility to pursue my research with full force,” Croskey said."
Read more in the UCSB College of Engineering Newsletter.
This year’s theme was “Myths and Legends”. Other artists receiving the award with Professor Kuchera-Morin were Mary Heebner, Gabriela Ruiz, Manjari Sharma, and Diana Thater.
The Loop Lab Busan Exhibition is a collaborative citywide event spanning approximately 20 cultural spaces, including public and private museums, alternative spaces, and galleries throughout Busan, Korea.
www.looplabbusan.com/exhibition
www.ocadu.ca/events-and-exhibitions/research-talks-dr-haru-ji
The software creates personalized visuals and abstract art in an immersive landscape that is based on the memories of the crew members. The news articles highlight their work on a software pipeline that was being used at the St. Kliment Ohridski base on Livingston Island, Antarctica.
For more information, please see:
UCSB's The Current news magazine article:
New frontiers for well-being in Antarctica and isolated spaces.
Santa Barbara Independent article:
UC Santa Barbara Researchers Design Tools to Combat Isolation in Extreme Environments.
Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Icescape
Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Beach
Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Plains
The title of the NSF award is Dynamic Control Systems for Manual-Computational Fabrication. Professor Jacobs was awarded the NSF Career Award to further her research in integrating skilled manual and material production with computational fabrication.
The CAREER Program offers the NSF's most prestigious awards in support of early-career faculty who have the potential to serve as academic role models in research and education and to lead advances in the mission of their department or organization.
Professor Jacobs thanks all of the amazing members the Expressive Computation Lab whose research contributed the intellectual foundations of this award.
UCSB News: Making Automation More Human Through Innovative Fabrication Tools
NSF link: Dynamic Control Systems for Manual-Computational Fabrication
|
|
|
|
|
|
Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.
In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.
The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.