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MAT End of Year Show 2025

Dates:
UCSB Elings Hall - June 3rd
SBCAST - June 5th

MAD Logo

Develop your technical literacy
and creative design skills

For more information, visit:
UCSB Summer Sessions website

Media Arts and Technology

Graduate Program

University of California Santa Barbara

Events

Abstract

This talk will cover the clinical use and creative implications of seven forms of neurostimulation, including Pulsed Electromagnetic Field stimulation (pEMF), Transcranial Alternating Current stimulation (tACS), Transcranial Direct Current stimulation (tDCS), Transcranial Random Noise stimulation (tRNS), Transcranial Advanced Pink & Brown Noise stimulation (tAPNS/tABNS), Transcranial Photobiomodulation (tPBM) and Transcranial Vagus Nerve stimulation (tVNS).

Bio

Nicholas J. Dogris, Ph.D., BCN, QEEG-D, is a highly accomplished psychologist, neuroscientist, and neurotechnology innovator with over 25 years of experience in the field of EEG-based neurotherapy, having developed the first synchronized QEEG (quantitative electroencephalography) system. He is the CEO and co-founder of NeuroField, Inc., a pioneering company specializing in advanced neurostimulation and neuromodulation technologies. In addition to his work in research and development, Dr. Dogris is a licensed psychologist who operates Neurofield Neurotherapy, Inc. in Santa Barbara, California, alongside his wife, where he integrates cutting-edge neurotherapy techniques into clinical practice. His joint venture with Dr. Thompson, The School of Neurotherapy, aims to bring high-quality, comprehensive training to the field of Neurotherapy through the three pillars of Education, Technology, and Application.

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For more information about the MAT Seminar Series, go to:
seminar.mat.ucsb.edu.

Professor Kuchera-Morin will discuss the connections between a selection of artworks with another presenter Frederick Janka, Executive Director of the Carolyn Glasoe Bailey Foundation. The selected artworks will be discussed along with the connections between them and current and upcoming artworks and projects at the Allosphere and the Museum of Contemporary Art Santa Barbara.

You can register for this event here: COLOR, LIGHT, MOTION episode 28.

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Orchestrating AI Models for Visual Expression: Artistic and Technical Approaches for Designing and Intervening in AI-Based Image Systems

Abstract

The advent of generative AI has introduced unprecedented creative capacities in image-making, accompanied by a parallel expansion in automation. Yet, because these systems are trained on vast datasets calibrated for statistical normativity, they risk engendering a homogenization of visual culture—flattening aesthetic diversity, marginalizing visual histories, and diminishing creative complexity. Furthermore, the considerable computational resources and specialized technical competencies required for meaningful engagement with these models pose significant barriers to access and customization, further constraining their creative potential.

This dissertation explores how computational creatives can address these challenges by reclaiming agency within generative AI systems through artistic and technical interventions that involve repurposing and combining different models and designing novel computational systems. It proposes that creative authorship resides not only in the final output but also in the systems configured to produce them. Rather than treating generative AI as a fixed tool, this research approaches AI models as elements within flexible systems—comprising modular components, datasets, and workflows—that can be reconfigured based on aesthetic objectives, artistic intentions, and cultural contexts.

Grounded in a practice-led systems-oriented methodology, the research investigates three main aspects: (1) applying AI models in art projects to meet creative computational needs; (2) extending the creative affordances of AI models by designing hybrid code–AI workflows and real-time interactive experiences; and (3) mitigating the visual culture gap between AI-generated imagery and advanced photographic aesthetics through systematic model fine-tuning, feature engineering, dataset curation, and the composition of cross-model AI systems.

Through these practices, the research demonstrates how computational artists can act as orchestrators of generative AI systems—building custom datasets with AI models, combining multiple models to solve complex tasks, and designing novel interfaces to reshape the user experience—thereby shaping and diversifying aesthetic outcomes beyond the constraints of current AI image systems.

Sketches of Sensorium

Sketches for Sensorium showcases core elements of the late environmental artist Newton Harrison’s (1932 - 2022) long-term project, Sensorium for the World Ocean. It will premiere at the AlloSphere as a satellite to the UC Irvine Beall Center for Art and Technology’s forthcoming exhibition, Future Tense: Art, Complexity, and Uncertainty, produced in partnership with the 2024 Getty PST Art: Art and Science Collide initiative. The installation will incorporate immersive audio and visual scientific climate and ocean health data provided by the Ocean Health Index of the Halpern Lab at the Bren School of Environmental Science & Management.

Sketches for Sensorium is a project of the Center for the Study of the Force Majeure in collaboration with Virtual Planet Technologies, Almost Human Media, and the AlloSphere Research Group. It will premiere with an original spatialized composition and an interactive data world, following Newton’s wish to impart a sense of hope to audiences.

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For more information, please visit:

news.ucsb.edu/2024/021608/immersive-ocean-health-project-premieres-ucsbs-allosphere-part-getty-pst-art

www.independent.com/2024/09/11/sketches-of-sensorium-part-of-getty-pst-art-at-uc-santa-barbara

allosphere.ucsb.edu/research/sketches_of_sensorium/2024.html

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Past Events  

News

The Loop Lab Busan Exhibition is a collaborative citywide event spanning approximately 20 cultural spaces, including public and private museums, alternative spaces, and galleries throughout Busan, Korea.

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artificialnature.net

www.looplabbusan.com/exhibition

alicelab.world

www.ocadu.ca/events-and-exhibitions/research-talks-dr-haru-ji

The software creates personalized visuals and abstract art in an immersive landscape that is based on the memories of the crew members. The news articles highlight their work on a software pipeline that was being used at the St. Kliment Ohridski base on Livingston Island, Antarctica.

For more information, please see:

UCSB's The Current news magazine article:
New frontiers for well-being in Antarctica and isolated spaces.

Santa Barbara Independent article:
UC Santa Barbara Researchers Design Tools to Combat Isolation in Extreme Environments.

www.iasonpaterakis.com

nefeliman.com

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Icescape

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Beach

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Plains

The title of the NSF award is Dynamic Control Systems for Manual-Computational Fabrication. Professor Jacobs was awarded the NSF Career Award to further her research in integrating skilled manual and material production with computational fabrication.

The CAREER Program offers the NSF's most prestigious awards in support of early-career faculty who have the potential to serve as academic role models in research and education and to lead advances in the mission of their department or organization.

Professor Jacobs thanks all of the amazing members the Expressive Computation Lab whose research contributed the intellectual foundations of this award.

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NSF link: Dynamic Control Systems for Manual-Computational Fabrication

Expressive Computation Lab

George Legrady: Scratching the Surface. Digital Pictures from the 1980s to Present.

RCM Galerie, Paris

www.rcmgalerie.com

Tuesday, December 17 2024 to Sunday February 16, 2025

32 rue de Lille, 75007

Tue-Fri 2pm-7pm & by appointment

whitehotmagazine.com/articles/32-rue-de-lille-paris/6789

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α-Forest: An Immersive Sound and Light Journey Through Inner-consciousness Exploration

Production Team: Olifa Hsieh (MAT visiting scholar), Timothy Wood (MAT researcher), and Weihao Qiu (MAT PhD student).

The subconscious is where your intrinsic qualities thrive; where seeds of inspiration reside; and where many impulses, emotions, and thoughts are hidden and never expressed. Sometimes they only appear in dreams.

α-Forest is a participatory immersive theater with healing qualities, created by the following three artists: Olifa Ching-Ying Hsieh, Timothy Wood, and Weihao Qiu. The work integrates electronic sound, interactive design, and AI algorithmic imaging technology to capture the audience’s brainwaves (Electroencephalography, EEG) and collect data on their physical movements, resulting in real-time co-created content. At a residency base offered by the Experimental Forest of National Taiwan University, the artists collected unique forest sounds from a mountainous area in central Taiwan, Nantou. They also visited the region’s indigenous tribe and learned about their culture.

More about the exhibition (PDF)

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The National Taiwan Museum of Fine Arts

From the author/composer:

"For this album I have assembled a collection of contrasting works from the archives. Some have previously been released, others not. Three pieces: Sculptor, Touche pas, and Bubble chamber are based on the microsound techniques of granular synthesis and micro-montage. By contrast, Modulude, Clang-tint, and Still life were conceived before my microsound period."

"For any given piece, my compositional practice usually takes years. For example, Modulude was initially conceived in 1998 and finished 23 years later. What I call my microsound period began in 1998 and culminated in the book Microsound (The MIT Press) and the album POINT LINE CLOUD (2004), re-issued by the Presto?! label (Milan) in 2019. Sculptor appeared on that album. Clang-tint traces back to 1991. It was finally released in 2021 by the SLOWSCAN label (’s-Hertogenbosch, The Netherlands) in a limited edition LP. Prior to this, the first movement of Clang-tint, Purity, appeared on the album CCMIX Paris (2001 Mode Records, New York). The origins of Still life date back even further, to the 1980s. Touche pas appeared on the DVD FLICKER TONE PULSE (2019 Wergo Schallplatten, Mainz). Bubble chamber is a new release."

ellirecords.bandcamp.com/album/electronic-music-1994-2021

www.curtisroads.net

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Past News  

Showcase

Exhibition Catalogs

End of Year Show

About MAT

Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.

In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.

The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.

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