<< FUTURISM >>
'The Futurist Cinema'
- Cinematic analogies
"The mountains, seas, woods, cities, crowds, armies, squadrons,
aeroplanes will be
our formidable expressive words: the universe
will be our vocabulary."
"We shall add color to the dialogue by swiftly, simultaneously
showing every image
that passes through the actors’ brains."
- Cinematic poems, speeches, poetry
"...transforming ... the most nostalgically monotonous weepy
poetry
into violent, exciting, and highly exhilarating spectacles."
- Cinematic simultaneity and interpretation
"We shall project two or three different visual episodes at the
same time..."
- Cinematic musical researches
"dissonances, harmonies, symphonies of gestures, events, colors,
lines, etc."
- Dramatized states of mind on film
- Daily exercises in freeing ourselves from mere photographic logic
- Filmed dramas of objects
"Objects animated, humanized... removed from their normal
surroundings...
throws into relief their amazing construction and
nonhuman life."
- Show windows of filmed ideas, events, types, objects, etc.
- Congresses, flirts, fights, and marriages of funny faces, mimicry, etc.
"Example: a big nose that silences a thousand congressional
fingers
by ringing an ear, while two policemen’s moustaches arrest a
tooth."
- Filmed unreal reconstructions of the human body
- Filmed dramas of disproportion
"a thirsty man who pulls out a tiny drinking straw that
lengthens umbilically
as far as a lake and dries it up instantly."
- Potential dramas and strategic plans of filmed feelings
- Linear, plastic, chromatic equivalences, etc.
"...with white lines on black we shall show the inner, physical
rhythm
of a husband who discovers his wife in adultery and chases
the lover..."
- Filmed 'words-in-freedom' in movement
"...synoptic tables of lyric values—dramas of humanized or
animated letters
—orthographic dramas—typographical dramas..."