MAT200A 04F Reading |
EXPRESSION AND AESTHETICS IN SCIENCE & ART: Ethnography as Discursive Sabotage Bennetta
Jules-Rosette, USCD, (American Journal of Semiotics, Vol
6, no 1, 1988-89) |
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What is the Article about? |
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Field Work Interpretive Process Scientific Document Aesthetic Value converted into Exchange Value Dissemination |
To trace how the chance elements of a personal experience
become transformed into a work/document that conforms to the conditions
determined by the institutional criteria: Document/artwork |
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Field Interaction |
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Discursive sabotage: intersection of conflicting modalities of action in process of inquiry and written transformation of facts (from source, to collector, to document creation) Ethnographer forced to reformulate questions (to engage in dialogue) From inscription to explanation: aesthetics of communication objectification of discourse Facts of ETH: Process of interpretation based on gathered information which may not be directly accessible Initial experience: both speakers (ETH & subject) subject the dialogue to immediate interpretations from their respective frame of references. |
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40-41 | Informal/formal Discourse | |
Sharing the original story informally: conveys immediacy of experiences while reflecting critically upon them. Informal material (in this case) lacks in factual resolution Both ethnographer and subject wish to transform information into relevant material products. Shift in narrative from (past tense) hesitant explorer to (present tense)
self-assured scientist. |
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45-49 | Transformation of ethnographic experience into scientific fact | |
Initial experience translated into preconceived descriptive framework. Question raised as to "how the researcher transforms everyday discourse into a uniform and univocal account". How does the process (recording & transcription) modify the initial conversations to communicate the ETH's intent and point of view? It involves transforming experiences according to accepted forms of language: placed in the context of other literature in the field. Final analysis: the ETH's evaluation converts the response into a a factual assertion. The ETH's preconceptions and frame of reference determine relevancy. (anthropological transparencies) Interpretation and evaluation are essential to the final ethnographical communication. It is the means by which the information is made available to another community (ETHs). |
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38-39, 49- | The Aesthetic Turn | |
Aesthetics somewhere between cognition and the emotional/feeling Game: (Eco) working with a set of rules (system) then stretching the rules to produce an unanticipated effect. Aesthetic expression requires a special interpretive leap: a unique way of communicating about experiences that transcend the banal and the obvious. Aesthetic distance: intent and point of view implicit in the message as it is communicated and the message as it is received. (critics transform and interpret messages) Baudrillard: aesthetic value converted into exchange value. Intermediaries reinterpret (sanitize) the art object for consumption
by a larger audience and in the process alter their meanings. |
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