2023f Instructor |
MAT255 Techniques, History & Aesthetics of the Computational Photographic Image George Legrady | http://vislab.mat.ucsb.edu Course materials are protected by US Copyright laws and by University policy. Contents of this course may not be reproduced, distributed, or displayed without my express prior written consent. Tues-Thurs 1-2:50pm (some lectures may be online) otherwise Lab 2611, 2nd flr, ELings Hall |
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Course Information
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An interdisciplinary course that examines, thorugh case studies, the state of the photographic image, its history, the theoretical, conceptual, and philosophical underpinnings. The course bridges studio arts, engineering, and humanities. This course may be of interest to artists, humanities researchers or programmers as there are three directions to explore:
The end goal is to investigate the photograph’s transformation through weekly presentations of projects, methods and discussion leading up to the impact of machine-learning on the creative process resulting in computational generated artworks. | |
Course Workload |
Attendance and participation at zoom lectures Weekly contribution to course journal at Student Forum | Legal agreement Final presentation pdf documentation of either a research paper OR project |
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09/28 |
Course Overview, Apparatus Fundamentals |
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10/03 10/05 Lab |
MidJourney Introduction Discord Link MidJourney Controls MidJourney Variations | Will Wulken Prompt Control Studies MidJourney Project 1:txt2img |
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10/10 10/12 Lab |
The Image as Statistical Average Nancy Burson Jason Salavon A Kind of Alchemy: The Work of Art in the Age of Artificial Intelligence | AI Post Photography Diffusion Model Diffusion Model | Guassian Distribution MidJourney Project 2:txt2img |
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10/17 10/19 |
The Screen as Camera Point of View | Depth of Field | Lytro Training Set DataBase LAOIN5B Conceptual Captions (CC3M) YouTube 8M HaveIbeentrained.com MOMA: Artist and AI | Trevor Paglen MidJourney Project 3:img2img |
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10/24 10/26 |
Review img&img Projects MidJourney Project 4: Text-to-Video |
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10/31 11/02 |
Stable Diffusion 0.9 | ML Models | HuggingFace | SDiffusion Interface Stable Diffusion 1: 5+Images | What is An Image? |
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11/07 11/09 |
Stable Diffusion SDXL Stability AI | SDXL v1 | Stable Diffusion 2: Comparison |
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11/14 11/16 |
Stable Diffusion SD Multiple Features | GitHub: Automatic1111 Meeting / Lab |
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11/21 11/23 |
Stable Diffusion 3: Studies
Thanksgiving |
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11/28 11/30 |
Final Project Lab Explorations with GPT-4V | Diffusion Explainer | Levels of AGI Final project presentation |
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12/05 12/07 |
Final Project Lab Final Report |
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Final Projects P. "Rumi" Bhattacharyya Luis Chavez Carrillo Colin Dunne Grace Feng Bryan Guerra Autumn Smith |
The course introduced MidJourney and Stable Diffusion as txt2img and img2img prompt-based image generators. Topics covered in the course also included examples from the history of photography, conceptual art, artists who have worked with statistical imaging, diffusion models, point-of-view, depth-of-field, links to various AI generative image synthesis. Final projects are student defined, based on topics covered in the course with images generated by either of the two generative image synthesis software.
Mythology of the Post-Colonial Infectuous Nostalgia Abstracted Space Who, What & Where? A Human Experience Narrative Building, Understanding, and Visual Cohesion Across Frames |
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Reference Links Scientific Image Examples AI Resistance Forensic Applications Other References |
Lev Manovich: Artifical Aesthetics: A Critical Guide to AI: Media and Design Evidence Photos | Tate Article NightShade/MIT | U Chicago Glaze [arvix paper] AI Image Detectors Baldessari/Tom Waits | Roland Barthes, Mythologies |
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