RCM Galerie, Paris
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2024 Fall |
Exploring the aesthetics of AI, UCSB News, Santa Barbara
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2024 Fall |
Conversation (1987), in Digital Witness: Revolutions in Design, Photography and Film", Los Angeles County Museum of Art (Getty PST "Art + Science Collide")
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2024 Fall |
AI, Image & Fiber Synthesis, Solo exhibition, Nan Rae Gallery, Woodbury University, Burbank
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2024 Fall |
Phantom Waves, "Seeing the Unseeable: Data, Design, Art", curated by Julie Joyce and Steve Nowlin, Alyce de Roulet Williamson Gallery, ArtCenter College of Art & Design, Pasadena (Getty PST "Art + Science Collide")
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2024 Summer |
Art of the 1980s: As If the Digital Mattered, Patrick Frank, De Gruyter
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2024 Spring |
Mythic Narratives in MidJourney and Stable Diffusion, International Conference, Photography in Virtual Culture University of Westminster and the Photographers' Gallery, London
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2024 Winter |
Abstraction Studies: George Legrady's Collaborations and Mythic Narratives, Artillery Magazine, Volume 18, Issue 4, March / April 2024, Los Angeles
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2024 Winter |
Anamorph-Lattice, in "Endless Variations", an exhibtion curated by Dominique Moulon, Alain Thibault, and Catherine Bédard at the Canada Cultural Centre, Paris
|
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2023 Fall |
Abstraction Studies, Solo exhibition, Pari Nadimi Gallery, Toronto (Cancelled)
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2023 Fall |
Going Home, The Untold Story of Nemaska Eenouch, Cree Nation of Nemaska, Quebec
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2023 Summer |
Abstraction Studies, in "A kind of Alchemy: The Work of Art in the Age of Artificial Intelligence", a virtual online exhibition curated by Francesca ALbrezzi and Emily Lawhead, for the DAHJ Gallery, Munich
|
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2023 Spring |
Let's Talk about Archiving Interview by Alejandro Quinones Roa for the "Archive of Digital Art", Center for Image Science, Donau University, Krems, Austria
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2023 Spring |
Making Waves A report on the "Phantom Waves" installation at UC Santa Barbara by Debra Herrick, UCSB Press
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2023 Spring |
Voice of Sisyphus installation in "Topologies of the Real" curated by Zhang Ga, Shenzhen Museum of Contemporary Art and Urban Planning, China
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2023 Winter |
How a Digital Artwork Helped The Seattle Public Library lead in Book Data by Eliza Murray, Communications, Seattle Public Library
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2023 Winter |
Intersections of Visual Semiotics and Computation Design, Keynote Lecture on Generative AI, Université de Liège, Belgium |
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2022 Fall |
Phantom Waves installed at Elings Hall, California NanoSystems Institute
|
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2021 Fall |
Avec George Legrady, archéologies à l’ère numérique, Revue Proteus 17, Cahiers des théories de l'art, Gilles Rouffineau (ESAD) Grenoble-Valence, France
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2020 Fall |
Conversation with Cree author Paul Seesequasis [Zoom], Photographic Arts Council, Los Angeles
|
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2020 Winter |
Continuity of the Still Image, article by Jeanette Zwingenberger, Paris, France
|
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2020 Winter-Spring |
Continuity of the Still Image, Inda Gallery, Budapest, Hungary
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2019 Fall |
Illustrating Dynamics & Probability, ICERM, Brown University
|
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2019 Fall |
Lecture on Data, Media, Culture and Visual Narrative in Warsaw and the National Film Academy, Lodz, Poland |
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2019 Fall |
Blanket Toss Under the Midnight Sun, Paul Seesequasis, Random House, Canada |
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2019 Fall |
Digital Art through the Looking Glass, Edition Donau-Universität, Krems, Austria |
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2019 Summer |
Making Visible the Invisible 2005-2019, Siggraph 2019, Los Angeles |
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2019 Summer |
The Ising Model, VisAp'19, Chengdu, China
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2019 Spring |
Photo London 2019 Art Fair, Inda Gallery, Budapest |
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2019 Spring |
From Analog to Digital keynote Lecture, Central Academy of Fine Arts, Beijing, China |
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2019 Spring |
Graham Foundation Advanced Studies in Fine Arts publication award, Chicago |
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2019 Winter |
StarGazers: Contemporary Art & Astronomy, Orange Coast College |
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2019 Winter |
A Brilliant Spectrum, Santa Barbara Museum of Art |
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2019 Winter |
Art & Artificial Intelligence, College Art association Conference, NYC |
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2018 Fall |
Ising Model: Blink, Siggraph Asia, Tokyo 2018 |
|
2018 Fall |
Four-Dimensional Universe, Edward Cella Gallery, Los Angeles |
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2018 Fall |
George Legrady, Photo Alliance, San Francisco Art Institute |
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2018 Winter |
Visiting Fellow, iCinema, University of New South Wales, Sydney |
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2018 Winter-Spring |
James Bay Cree in 1973, Art & Architecture Hall, UC Santa Barbara |
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2017 Fall |
Projects in Visualizing Data, EPFL (Ecole Polytechnique) Lausanne |
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2017 Fall |
Visiting Scholar, Institut des mines-telecom, ParisTech, Paris |
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2017 Fall |
Voice of Sisyphus, in Datumsoria, ZKM, Karlsruhe |
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2017 Summer |
Anamorphic Fluid, Currents New Media, Santa Fe |
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2017 Spring |
Footprints: A Walk through Generations: Aanischaaukamikw Cultural Institute, Quebec |
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2017 Winter |
Snapshot of Eeyou Istchee, the Nation of the Cree |
|
2016 Fall |
Photographs of a Cree Community, HyperAllergic |
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2016 Fall |
Photograph of the Cree, Creative Capital Blog |
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2016 Fall |
Neuroscience, Psychiatry and Art Conference, UCLA, Los Angeles |
|
2016 Summer |
Anamorphic Fluid in SV+VS at Dongdaemun Design Plaza, Seoul, Korea |
|
2016 Spring |
John Simon Guggenheim Fellowship, NYC |
|
2016 Winter |
Digital Arts Lecture, Pratt Institute, Brooklyn |
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2016 Winter |
Shift, Stretch, Expand, Museum of Contemporary Art, Santa Barbara |
|
2016 Winter |
Language of Perpetual Conditions, Cal State University, Los Angeles |
|
2016 Winter |
Artsy (review), Los Angeles |
|
2016 Winter |
Los Angeles Times, (review) Los Angeles |
|
2015 Fall |
Day & Night (NewsHawk) (UCSB Current), Edward Cella Gallery, Los Angeles |
|
2015-2016 Winter |
Day & Night, (Installation photos) Edward Cella Gallery, Los Angeles |
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2015 Fall |
Archiving Online, Wolfgang Ernst, Looters, Smugglers, Collectors, Onstad Kunstsenter, Norway |
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2015 Fall |
Architectures de Mémoire, Paris, France |
|
2015 Fall |
Autovision in Communication & Control, Fotofest Mannheim, Heidelberg, Germany |
|
2015 Fall |
InfoSphere, ZKM (Center Media Art & Media), Karlsruhe, Germany |
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2015 Summer |
Constructions, Edward Cella Gallery, Los Angeles |
|
2015 Summer |
Voice of Sisyphus | Slice, Chronus Art Center, Shanghai, China |
|
2015 Summer |
Digital Technologoies as Medium for Cultural Narrative, Chronus Art Center, Shanghai, China |
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2015 Spring |
Imagining Macondo, Bogota International Art fair, Colombia |
|
2015 Spring |
Anecdoted Archive, Center for Digital Cultures, Brussels, Belgium |
|
2014 Fall |
Voice of Sisyphus, IEEE VisWeek 2014
, Paris |
|
2014 Fall |
Arte y Ciencia de Interfaz, Planetario de Bogota,
Bogota, Colombia |
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2014 Fall-2015 Spring |
Clocks for Seeing: Time and Motion, National Gallery of Canada, Ottawa |
|
2014 Fall |
6018, Edward Cella Gallery
, Los Angeles |
|
2014 Fall |
Texas Contemporary, Edward Cella Gallery,
, Los Angeles |
|
2014 Fall |
International Conference on Digital Intelligence, Nantes, France |
|
2014 Fall |
Exquisite Vision, ISEA (International Society for Electronic Arts),
Dubai |
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2014 Spring |
Interrogating-Methodologies
Conference,UCSB |
|
2014 Winter |
Swarm Vision and the New Everyday, Media Commons, NY |
|
2013 Fall |
Miami Project, Art Basel, Edward Cella Gallery |
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2013 Fall |
Swarm Vision, Run Run Shaw Media Centre, Hong Kong |
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2013 Fall |
Voice of Sisyphus, Sight & Sound, Beall Center for Art & Technology, UC Irvine |
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2013 Fall |
On the Road, Pari Nadimi Gallery, Toronto |
|
2013 Fall |
Reflections on the Computational Photograph, Kreber Verlag, Bielefeld |