On the Subconscious of AI, and how a Machine understands Visual Data, in "A kind of Alchemy: The Work of Art in the Age of Artificial Intelligence", Digital Art History, Munich (2023)

Let's Talk about Archiving Interview by Alejandro Quinones Roa for the "Archive of Digital Art", Center for Image Science, Donau University, Krems, Austria (2023)

Data Art in Cyberspace: George Legrady on Remote Learning, Marina Akhavein, Humanities and Fine Arts, University of California, Santa Barbara (2020)

Four Questions for George Legrady, Questions from Steve Thompson, Cabana Home, Santa Barbara (2019)

Interview: George Legrady, Harald Klinke, Liska Surkemper, International Journal for Digital Art History, Munich (2016)

Interview: George Legrady, chair of the Media Arts & Technology program, Stefan Müller Arisona, Journal of Professional Communication: Art/Science Hybrids, Vol. 3, Issue 2 (2013)

Making Visible the Invisible, MAS Context: Issue 7, Iker Gil, Chicago, Journal of architecture (2010)

Data and Surrealism, Tulsa Kinney, Artillery, Los Angeles, May 25, (2009)

The Art of Mapping Statistics, Roberto Simanowski, Dichtung-Digital.com (2005)

Pockets Full of Memory: A Conversation with George Legrady, Sven Spieker, Art Margins Online, (12/15/2001)

Eternal Summer: George Legrady im Gespräch, Karin Hinterleitner, medienkultur-stuttgart (2001)

An Anecdoted Archive from the Cold War - Interview with George Legrady, Geert Lovink, Mediamatic Magazine vol. 8#2/3 (Jan. 1995)

George Legrady Born Digital Projects (1986-present) in Mirror: Art and the Internet in LA 1969+, edited by Casey Reas, Lauren Lee McCarthy, and Chandler McWilliams, UCLA Arts Conditional Studio, UCLA School of Art and Architecture’s Department of Design Media Arts (2023)

Big Data: From Data to Metadata, George Legrady, in Encyclopedia of New Media Art, edited by Paul Thomas, Bloomsbury Press, London (2023)

Pockets Full of Memories (2001-2007): An Installation Integrating Data Collection and the Kohonen Self-Organising Artificial Neural Network Algorithm, George Legrady, Timo Honkela, Art, Museums & Digital Cultures International Conference, Lisbon, April 22 / 23 (2021)

Making Visible the Invisible: A Data Driven Media Artwork in Continuous Operation for 15 Years, George Legrady, Rama Hoetzlein, ACM SIGGRAPH, Leonardo, MIT Press (2019)

Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise, George Legrady in "Digital Art through the Looking Glass: New Strategies for archiving, collecting and preserving Digital Humanities", pp. 49-60, Edited by Oliver Grau, Janina Hoth, Eveline Wandt-Vogt, Donau Universitat, Krems, Austria, Academia (2019)

Changement de paradigme pour la photographie numérique, George Legrady, in Architectures de mémoires, edited by Jean-Marie Dallet, édition les presses du réel, Paris (2019)

On the Road, George Legrady (2013)

Refraction, George Legrady (2011)

Narrative and the Algorithmic Image, 1973-2010, George Legrady (2010)

China-In-transition, George Legrady, Pro Ahlers Arte, Hanover (2009)

Transitional Spaces, George Legrady, Rotunda Gallery, Siemens Kultur Programm, Munich (2000)

George Legrady From Analogue to Digital: Photography and nteractive media, George Legrady, National gallery of Canada, Daniel Langlois Foundation for Art, Science & Technology, Montreal (2005, revised 2018)

Slippery Traces, George Legrady, in Artintact 3, (texts by George Legrady p.168, Miklos Peternak, p.173, Andrea Zapp, p.178), an interactive CD-ROM published by ZKM, center for art & media, Karlsruhe (1996)

[the clearing], George Legrady, base.arts publications, San Francisco (1995)

Anecdoted Archive from the Cold War, George Legrady, Hyperreal Media Productions, San Francisco (1994)

Making Waves A report on the "Phantom Waves" installation at UC Santa Barbara by Debra Herrick, UCSB Press (March 2023)

How a Digital Artwork Helped The Seattle Public Library lead in Book Data by Eliza Murray, Communications, Seattle Public Library (Dec. 2022)

Continuity of the Still Image, article by Jeanette Zwingenberger, Paris, France (Feb 2020)

Snapshots in Time, Jim Logan, The Current, UCSB (Jan. 2018)

Photographs of a Cree Community Before a Manmade Flood Washed It Away, Allison Meier, HyperAllergic (Oct. 2016)

George Legrady’s 1973 Photographs of the Cree People Are Now Online, Alex Teplitzky, Creative Capital (Sept. 2016)

In George Legrady’s Layered Photographs, History Melds with Technology, Jessica Simmons, Artsy (Jan. 2016)

George Legrady’s Refraction: Research in the Form of a Spectacle, Diane Sippl, Kinocaviar.com (Nov. 2011)

George Legrady, Cell Tango et Pockets Full of Memories, Jean Gagnon, Ciel Variable No. 80, Montreal (Fall 2008)

(1994-2018 All Publication listings)