Credits
- Co-creators
- Dennis Adderton
- Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments. Currently employed as Research Engineer for the Allosphere Research Facility, Adderton spends his spare time creating electronic installation art. Technology is the common basis of his work and chosen medium for creative expression. Working in the context of art allows for the exploration of philosophical and experiential inquiry not permissible within the realm of science. The goal of his work is to find beauty in human endeavor.
- Basak Alper
- Basak Alper is a designer/engineer whose current research interests span information visualization, visualization of social networks, human computer interaction, virtual reality and its perception. Basak received her BA degree in Visual Communication Design from Sabanci University, Istanbul. She holds an MS degree from the same university in Computer Graphics. Her master's thesis on visualization of geographic networks is presented at Transmodalities: mind art new media symposium and exhibited in Techne: digital performans platform in Istanbul. Currently she is a master's student in Media Arts and Technologies program of University of California Santa Barbara.
- Mark Daggett
- Mark Daggett is an artist, designer, and technologist who working in the field of social software and networked knowledge. Daggett is a PhD student at the University of California Santa Barbara and an adjunct Social Software researcher for Revver.com. Before Revver, Daggett, was the Director of Information Architecture for Skechers USA.
- Artistically, Daggett's work has been shown in museums, festivals and exhibitions around the world. His work has shown in the Whitney Museum, the Princeton Museum, P.S. 1, the Ars Electronica Festival in Linz, Austria, and the Transmediale festival in Berlin, to name a few. Daggett has been nominated for several prestigious awards, including a 2006 Rockefeller New Media Grant, and a Webby Award, (which is sometimes called the Oscars of the Internet). Major media sources have covered Daggett's work, including the New York Times, Le Monde, WIRED Magazine and Surface Magazine.