Moholy-Nagy:
"Theater, Circus, Variety," Theater of the Bauhaus (1924)
Moholy-Nagy's idea of the "Theater of Totality," which he deems to be the theater of the future, puts man "on an equal footing with the other formative media" in contrast to the theater of today. He insists that one cannot simplify man to having definable meaning, and neither can you boil down other aspects of the theater. They should instead be a complex organism. Man in this scenario should be free to express in other ways than literary, but only in ways that are unique to man in order to make good use of his specialization.