2005 W
Instructors
TA
MAT 256 Visual Design Through Algorithms: Explorations of Visual Perception
Jerry Gibson,
George
Legrady
August Black
Tuesday 1-2 pm - Estudio
Thursday 12-3pm - Estudio
MAT 256 will focus on the development of an installation
wherein the participant/visitor interactswith multiple real-time video
signals, and which, while maintaining the context of the artistic experience,
allows the participant's choices and responses to be correlated with video
quality to determine human perceptual models. Aesthetic and technical
issues in the production of an interactive telematic visual environment
will be addressed. Topics to be covered include visual perception, delivery
of real-time televisual signals, design and implementation of 3D devices
to control remote cameras, and to record viewer actions, insertion of
controlled distortions, and the measurement of significant human responses.
Projects Reviewed
GL: Interactive Processes | Interactive Basics
Paul de Marinis | Jeffrey
Shaw [1]|
(Terrain) Ulrike
Gabriel | Barcode
Hotel (Hoberman)
Image
Processed Image
Interaction/Feedback
Filter Processes
Architectural Space
References
GL: Televisual presence in art, architecture, and telecommunications
Inverse Technology [bang
bang]
[spy plane]
(Jeremichenko)
Rokeby:
[Watch]
[Seen]
[Taken]
[Guardian
Angel ] [Watched
& Measured]
Dan
Graham [1]
[2] [3] [4]
| Bruce
Nauman | Paul
Sermon | Julia
Scher | Steve
Mann [Fung]
Nam
June Paik [1]
| Marie
Sester |
Swisshouse [1]
(Huang, Waldvogel) An augmented reality space | Paracite (bits&spaces)
Ctrl-Space |
Future
Cinema |
Th 1.13
JG: Introduction to human perception in voice, audio, still images,
and video, with applications to compression and data hiding
JG: Filtering, sampling, digitization, and reconstruction of media
JG: Frequency
domain representations and effects | Nyquist
Sampling Theorem
GL: Background History: The Cave and Other
Virtual Environments
Haptic Interfaces, Function of narrative
Barcelona
Cornerhouse, Manchester
Hull Time Based Arts
MetaNarratives | Li Zhensheng | del.icio.us | flickr |
Cornerhouse | pocketsfullofmemories.com | C.Sandison |
Hackitectura | noborder | fadaiat| E.Wohlgemuth [body scan][2] |
S.Biggs [babel]| P.Bentley |
Haptic device feedback, synchronization with noise insertion
Interaction between audio and video and relation to perception
Th 3.3
Th 3.10
Description
Production Team
FM uses interactive video to collapse two spaces into one. A participant enters one of two rooms and sees a video projection on the wall. The projection shows an image of the participant intermingled with the image of other participants in the opposite room. Through interaction, a third space is shaped by the overlapping movements of the participants "in between" the two rooms.
FM, Wesley Smith (Project Description)
Information, Meaning and Interaction in Digital Media, Carlos Castellanos
FM, Eunsu Kang (Timeline, Collaboration, Project Development)
Quiet Demo, Brian Springer (Broadcast Media Analysis, MPEG7)
Elements, Sofia Larsson
Project
Description
Production Team
LM
LM transforms live video into a 3D intensity representation.
A hand-held controller allows the user to move through color, resolution
and intensity spaces, producing different levels of abstraction. The 3D
video mirrors the user's gestures in real-time, providing feedback for
interaction.
MT9 3D Accelerometer, Will
Wolcott
MAX to OpenGL, Zach Davis
3D Parameter Interaction / Visualization,
Heawon Kang
[Max/Jitter Patches] [3D Xsens MT9 Inertial Measurement Unit]