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Media Arts and Technology

Graduate Program

University of California Santa Barbara

Events

Image
Abstract

In this talk I’ll trace my thinking over the past quarter century about the possibility of constructing Artificial Moral Agents. Beginning with the article “A Prolegomena to Any Future Artificial Moral Agent” in 2000 (in which my coauthors Gary Varner and Jason Zinser and I argued for a hybrid top-down / bottom-up approach and critically discussed the possible designs for a Moral Turing Test) through the 2009 book Moral Machines: Teaching Robots Right from Wrong (in which my coauthor Wendell Wallach and I developed and extended these ideas) to my present work on wisdom and collective rationality for humans and AI and the role that emotional processing my play in human and machine morality. I’ll also discuss the literature that has popped up around the Moral Turing Test (e.g. Aharoni et al. 2024 "Attributions toward artificial agents in a modified Moral Turing Test").

Bio

Colin Allen is Professor and Chair of the Department of Philosophy at the University of California, Santa Barbara. His main areas of research concern the philosophical foundations of cognitive science, particularly as these relate to scientific study of animal cognition and artificial intelligence. His publications also span topics in the philosophy of mind, philosophy of biology, and humanities computing. He is also Associate Editor of the Stanford Encyclopedia of Philosophy. In 2010 Allen received a Research Award from the Alexander von Humboldt Foundation in Germany, which is given "in recognition of a researcher's entire achievements to date", and in 2013 he received the Barwise Prize from the American Philosophical Association "for significant and sustained contributions to areas relevant to philosophy and computing by an APA member." In 2020, Allen was elected a Fellow of the American Association for the Advancement of Science.

colinallen.dnsalias.org

Note: About the poster background image: Image of a drawing by artist Jenny Holzer which incorporates a figure originally produced by Colin Allen for Moral Machines:Teaching Robots Right from Wrong. A painting made from this was displayed in an exhibition of Holzer’s works at the Guggenheim Museum in New York in 2024 and a second painting using this image is expected to appear in her Musée d’Orsay exhibition opening Oct 18, 2026.

For more information about the MAT Seminar Series, go to:
seminar.mat.ucsb.edu.

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About MAT

Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.

In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.

The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.

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